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<front>
<journal-meta>
<journal-id journal-id-type="publisher">global-journal-of-human-social-science-c-sociology-culture</journal-id>
<journal-title-group>
<journal-title>Global Journal of Human-Social Science - C: Sociology &amp; Culture</journal-title>
</journal-title-group>
<issn publication-format="print">0975-587X</issn>
<issn publication-format="electronic">2249-460X</issn>
<publisher><publisher-name>Global Journals Publishing Group Incorporated</publisher-name></publisher>
<self-uri xlink:href="https://globaljournals.org/journal-seo-export/jats/61532.xml" />
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">61532</article-id>
<title-group>
<article-title>The Ghetto Revolution: Historical Memory in Rap</article-title>
<subtitle>Hip Hop and Social Resistance in Colombia</subtitle>
</title-group>
<contrib-group>
<contrib contrib-type="author"><name><surname>Avella</surname><given-names>Diana</given-names></name><xref ref-type="aff" rid="aff1" />
</contrib>
</contrib-group>
<aff id="aff1">COLOMBIA</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2022-10-13">
<day>13</day>
<month>10</month>
<year>2022</year>
</pub-date>
<volume>22</volume>
<issue>C5</issue>
<fpage>65</fpage>
<lpage>74</lpage>
<abstract><p>Abstract not found</p></abstract>
<kwd-group kwd-group-type="author-generated">
<kwd>hip hop</kwd>
<kwd>rap colombiano</kwd>
<kwd>memoria histÃ³rica</kwd>
<kwd>mÃºsica</kwd>
<kwd>testimonio.</kwd>
<kwd>memoria histórica</kwd>
<kwd>música</kwd>
</kwd-group>
<self-uri content-type="pdf" xlink:href="https://globaljournals.org/GJHSS_Volume22/7-The-Ghetto-Revolution.pdf" />
<self-uri content-type="html" xlink:href="https://globaljournals.org/scholarly-articles/the-ghetto-revolution-historical-memory-in-rap/" />
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</front>
<body>
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<title>Full Text</title>
<p>This article seeks to connect the categories of Historical Memory and Colombian Rap, carrying out an analysis from the testimonial voice of the authors of Rap lyrics that during the decades of the 80&#039;s, 90&#039;s, 2000 and 2010 have portrayed victimizing acts towards the Colombian population in the framework of the armed conflict, concluding in the recent social mobilizations of the year 2021, in which the youth and the Hip Hop movement played a fundamental role in the transformation of imaginaries and construction of participatory processes from the bases culture in the different regions of the country.</p>
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