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<journal-id journal-id-type="publisher">global-journal-of-human-social-science-a-arts-humanities</journal-id>
<journal-title-group>
<journal-title>Global Journal of Human-Social Science - A: Arts &amp; Humanities</journal-title>
</journal-title-group>
<issn publication-format="print">0975-587X</issn>
<issn publication-format="electronic">2249-460X</issn>
<publisher><publisher-name>Global Journals Publishing Group Incorporated</publisher-name></publisher>
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<article-id pub-id-type="publisher-id">62101</article-id>
<title-group>
<article-title>Writing as one who Cries... The Poet as a Fencer</article-title>
<subtitle>The Rewriting Process in Moacyr Félix&#039;s Poetry</subtitle>
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<contrib-group>
<contrib contrib-type="author"><name><surname>Nunes</surname><given-names>Diogo Cesar</given-names></name><xref ref-type="aff" rid="aff1" />
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<aff id="aff1">BRAZIL</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2023-05-16">
<day>16</day>
<month>05</month>
<year>2023</year>
</pub-date>
<volume>23</volume>
<issue>A2</issue>
<fpage>21</fpage>
<lpage>26</lpage>
<abstract><p>This paper seeks to question the relationship between lyrical subject and living subject as from the poem O relógio e o sonho, by Moacyr Félix, originally published in the book O pão e o vinho, 1959, work in which the poet said he had found his “own face”. Highlighting the theme of memory, we refer to Baudelaire’s metaphor of the “fencer” and the relationship between Erfahrung and Erlebnis, as well as between “lived experience” and “poetic experience” in Benjamin, to support the hypothesis that affirmative of poetic identity, in Felix’s lyric, is at the same time the realization of its loss.</p></abstract>
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<kwd>moacyr fÃ©lix; poetic writing; memory; time; walter benjamin.</kwd>
<kwd>moacyr félix; poetic writing; memory; time; walter benjamin.</kwd>
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<p>This paper seeks to question the relationship between lyrical subject and living subject as from the poem O relÃ³gio e o sonho, by Moacyr FÃ©lix, originally published in the book O pÃ£o e o vinho, 1959, work in which the poet said he had found his â€œown faceâ€. Highlighting the theme of memory, we refer to Baudelaire&#039;s metaphor of the â€œfencerâ€ and the relationship between Erfahrung and Erlebnis, as well as between â€œlived experienceâ€ and â€œpoetic experienceâ€ in Benjamin, to support the hypothesis that affirmative of poetic identity, in Felix&#039;s lyric, is at the same time the realization of its loss.</p>
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