<?xml version="1.0" encoding="UTF-8"?>
<article article-type="research-article" xml:lang="en" xmlns:xlink="http://www.w3.org/1999/xlink">
<front>
<journal-meta>
<journal-id journal-id-type="publisher">global-journal-of-human-social-science</journal-id>
<journal-title-group>
<journal-title>Global Journal of Human-Social Science</journal-title>
</journal-title-group>
<issn publication-format="print">0975-587X</issn>
<issn publication-format="electronic">2249-460X</issn>
<publisher><publisher-name>Global Journals Publishing Group Incorporated</publisher-name></publisher>
<self-uri xlink:href="https://globaljournals.org/journal-seo-export/jats/81492.xml" />
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">81492</article-id>
<title-group>
<article-title>Cinematography of Â«Children of IndependenceÂ»</article-title>
<subtitle>Kazakh Cinema Evolution and International Success</subtitle>
</title-group>
<contrib-group>
<contrib contrib-type="author"><name><surname>Abikeyeva</surname><given-names>Gulnara</given-names></name><xref ref-type="aff" rid="aff1" />
</contrib>
</contrib-group>
<aff id="aff1">KAZAKHSTAN, Turan University, Kazakhstan</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2020-10-21">
<day>21</day>
<month>10</month>
<year>2020</year>
</pub-date>
<volume>20</volume>
<issue>A16</issue>
<fpage>13</fpage>
<lpage>16</lpage>
<abstract><p>Within the period from 2010 -2020 there were two changes that happened in Kazakhstani cinema: first is the activity of generation of «Children of Independence», filmmakers who are not afraid of censorship and can freely express societal most acute problems. Their films won prizes in the most prestigious world film festivals. Second change is appearance of other filmmakers who made a movie a product. We can speak about the birth of new film industry. Both of these aspects is a generational question, when young filmmakers stopped waiting for the government support and started to do films for festivals and for making money.</p></abstract>
<kwd-group kwd-group-type="author-generated">
<kwd>cinema of independence</kwd>
<kwd>social and societal problems</kwd>
<kwd>new generation</kwd>
<kwd>free from censorship</kwd>
<kwd>film industry.</kwd>
</kwd-group>
<self-uri content-type="pdf" xlink:href="https://globaljournals.org/GJHSS_Volume20/3-Cinematography-of-Children.pdf" />
<self-uri content-type="html" xlink:href="https://globaljournals.org/scholarly-articles/cinematography-of-children-of-independence/" />
</article-meta>
</front>
<body>
<sec>
<title>Full Text</title>
<p>Within the period from 2010 - 2020 there were two changes that happened in Kazakhstani cinema: first is the activity of generation of Â«Children of IndependenceÂ», filmmakers who are not afraid of censorship and can freely express societal most acute problems. Their films won prizes in the most prestigious world film festivals. Second change is appearance of other filmmakers who made a movie a product. We can speak about the birth of new film industry. Both of these aspects is a generational question, when young filmmakers stopped waiting for the government support and started to do films for festivals and for making money.</p>
</sec>
</body>
</article>