An Intertextual Reading of the Politics of storytelling in The Edible Woman, Surfacing, The Handmaid’s Tale and Cat’s Eye by Margaret Atwood

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Carla Scarano D’Antonio
Carla Scarano D’Antonio

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GJHSS Volume 22 Issue A10

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An Intertextual Reading of the Politics of storytelling in The Edible Woman, Surfacing, The Handmaid’s Tale and Cat’s Eye by Margaret Atwood Banner
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My article explores how Margaret Atwood deconstructs dichotomous visions of women and proposes a reconstruction of women’s identity in the dominant socio political context, suggesting alternative aesthetic systems. This implies self-knowledge and acceptance of both the good and the bad side of their identity; the acknowledgement of this reality is required in order to survive. This acknowledgement engages the readers in a process of critical thinking about the world that surrounds them, that is, a world of language, though the story also refers to a ‘real’ world where things have happened and might occur again. Atwood’s technique of both referring to a physical world and revisiting myths, fairy tales and literary classics gives space to a rethinking of the rules and roles of the dominant society. At the same time, it questions the readers’ position in this world as well as power relations in society.

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No external funding was declared for this work.

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The authors declare no conflict of interest.

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No ethics committee approval was required for this article type.

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Carla Scarano D’Antonio. 2026. \u201cAn Intertextual Reading of the Politics of storytelling in The Edible Woman, Surfacing, The Handmaid’s Tale and Cat’s Eye by Margaret Atwood\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 22 (GJHSS Volume 22 Issue A10): .

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Explores how storytelling influences politics in Margaret Atwood's "The Edible Woman" and "Cats' Eye.".
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GJHSS Volume 22 Issue A10
Pg. 1- 15
Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-A Classification: DDC Code: 701.17 LCC Code: B3614.C73
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November 26, 2022

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English

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My article explores how Margaret Atwood deconstructs dichotomous visions of women and proposes a reconstruction of women’s identity in the dominant socio political context, suggesting alternative aesthetic systems. This implies self-knowledge and acceptance of both the good and the bad side of their identity; the acknowledgement of this reality is required in order to survive. This acknowledgement engages the readers in a process of critical thinking about the world that surrounds them, that is, a world of language, though the story also refers to a ‘real’ world where things have happened and might occur again. Atwood’s technique of both referring to a physical world and revisiting myths, fairy tales and literary classics gives space to a rethinking of the rules and roles of the dominant society. At the same time, it questions the readers’ position in this world as well as power relations in society.

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An Intertextual Reading of the Politics of storytelling in The Edible Woman, Surfacing, The Handmaid’s Tale and Cat’s Eye by Margaret Atwood

Carla Scarano D’Antonio
Carla Scarano D’Antonio

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