Battlegrounds. Net Art and Virtual Worlds in the Work of Chinese Artists

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Magdalena Furmanik-Kowalska
Magdalena Furmanik-Kowalska PhD, Art Studies

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GJHSS Volume 22 Issue A11

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The objective of our study was to evaluate, in a population of Togolese People Living With HIV(PLWHIV), the agreement between three scores derived from the general population namely the Framingham score, the Systematic Coronary Risk Evaluation (SCORE), the evaluation of the cardiovascular risk (CVR) according to the World Health Organization.
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Introduction-Art historian Wu Hunga, one of the first to describe contemporary Chinese art, suggested that in the Chinese context it should rather be called experimental (shiyan yishu) 1 then postmodern, as it diverges chronologically from the development of Western art. In 2005, he wrote that he saw the following stages: 1979-1984, the time of the formation of unofficial art; 1985-1989, known as the ‘New Wave of Art ’85’ and the ‘China/Avant-garde’ exhibition in Beijing as a result of this period; then 1990-1993, when Chinese experimental art entered the world market; and finally, from 1994 to the present, art as a critique of the socio-cultural situation in China 2 . Now, after more than fifteen years, it would be appropriate to add further stages, including certainly the extremely intense development after 2004 of art using new information technologies and social media.

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The authors declare no conflict of interest.

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Magdalena Furmanik-Kowalska. 2026. \u201cBattlegrounds. Net Art and Virtual Worlds in the Work of Chinese Artists\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 22 (GJHSS Volume 22 Issue A11): .

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Exploring the impact of digital and virtual environments in Chinese art for SEO insights.
Issue Cover
GJHSS Volume 22 Issue A11
Pg. 11- 16
Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-A Classification: DDC Code: 302.23 LCC Code: HM258
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v1.2

Issue date

December 19, 2022

Language

English

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Battlegrounds. Net Art and Virtual Worlds in the Work of Chinese Artists

Magdalena Furmanik-Kowalska
Magdalena Furmanik-Kowalska

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