Beyond Bellephonic Sound: Exploring some Musical Diplomacies during the Ukraine War

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British Secretary of State for Digital, Culture, Media and Sport Nadine Dories proclaimed culture and sport the “third front in the Ukrainian war”. Russia, Ukraine but also national institutions in Western countries recognize this strong dimension in their own strategic conducts. Music is clearly part of this War whether on the side of belligerents or of third party States, cultural actors and artists even though they try to escape he dilemmas they cause. What does mean listening music in such figuration? Does it entail a “bellephonic sound” dissemination that could not be transcended or are there some experiments of musical diplomacies that tend to have another representation of otherness even in a context of war? By focusing on several musical programs and institutions in Europe since the beginning of Ukraine War, this paper aims at shedding light on the role of music as a source of recognition in strategic context from public diplomacy to people-to-people diplomacy.

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No external funding was declared for this work.

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The authors declare no conflict of interest.

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No ethics committee approval was required for this article type.

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RAMEL. 2026. \u201cBeyond Bellephonic Sound: Exploring some Musical Diplomacies during the Ukraine War\u201d. Global Journal of Human-Social Science - F: Political Science GJHSS-F Volume 24 (GJHSS Volume 24 Issue F1): .

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Alt text: Research article on Ukrainian music diplomacy and cultural diplomacy during Ukraine War, published in an academic journal.
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GJHSS Volume 24 Issue F1
Pg. 31- 40
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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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February 10, 2024

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English

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British Secretary of State for Digital, Culture, Media and Sport Nadine Dories proclaimed culture and sport the “third front in the Ukrainian war”. Russia, Ukraine but also national institutions in Western countries recognize this strong dimension in their own strategic conducts. Music is clearly part of this War whether on the side of belligerents or of third party States, cultural actors and artists even though they try to escape he dilemmas they cause. What does mean listening music in such figuration? Does it entail a “bellephonic sound” dissemination that could not be transcended or are there some experiments of musical diplomacies that tend to have another representation of otherness even in a context of war? By focusing on several musical programs and institutions in Europe since the beginning of Ukraine War, this paper aims at shedding light on the role of music as a source of recognition in strategic context from public diplomacy to people-to-people diplomacy.

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Beyond Bellephonic Sound: Exploring some Musical Diplomacies during the Ukraine War

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