Community and the Individual in the Dramatic World of the Igbo: Conformity and Contestation

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Osita Catherine Ezenwanebe
Osita Catherine Ezenwanebe
α University of Lagos University of Lagos

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Community and the Individual in the Dramatic World of the Igbo:                                   Conformity and Contestation

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Abstract

The Igbo popular maxim, Ohaka (community is supreme), is a product of the people’s interacting life and exemplifies their belief in the power of unity that inheres from communal living. However such patriotic value as implied in the aphorism is rift with challenges in modern time and drama as a reflection of the people’s interacting life recreates both the challenges and the people’s response to them. This paper therefore examines instances of conformity to and divergence from the value of ohaka in selected dramatic literature of the Igbo in order to evaluate its significance in contemporary world. This is done through the analysis of character’s response to the issues of ohaka as dramatized in ‘Zulu Sofola’s Wedlock of the Gods (1972).

References

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Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

How to Cite This Article

Osita Catherine Ezenwanebe. 2014. \u201cCommunity and the Individual in the Dramatic World of the Igbo: Conformity and Contestation\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 14 (GJHSS Volume 14 Issue A8): .

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GJHSS Volume 14 Issue A8
Pg. 21- 30
Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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v1.2

Issue date

October 25, 2014

Language
en
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The Igbo popular maxim, Ohaka (community is supreme), is a product of the people’s interacting life and exemplifies their belief in the power of unity that inheres from communal living. However such patriotic value as implied in the aphorism is rift with challenges in modern time and drama as a reflection of the people’s interacting life recreates both the challenges and the people’s response to them. This paper therefore examines instances of conformity to and divergence from the value of ohaka in selected dramatic literature of the Igbo in order to evaluate its significance in contemporary world. This is done through the analysis of character’s response to the issues of ohaka as dramatized in ‘Zulu Sofola’s Wedlock of the Gods (1972).

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Community and the Individual in the Dramatic World of the Igbo: Conformity and Contestation

Osita Catherine Ezenwanebe
Osita Catherine Ezenwanebe University of Lagos

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