From Insolent Fratricide to Outrageous Genocide: Interethnic War and the Exorcisation of the Injustice of War in Eugène Ebodé& Souveraine Magnifique

Article ID

QX088

From Insolent Fratricide to Outrageous Genocide: Interethnic War and the Exorcisation of the Injustice of War in Eugène Ebodé& Souveraine Magnifique

Pierre Eyenga
Pierre Eyenga
DOI

Abstract

The war between the Longs and the Shorts is the backdrop for Eugène Ebodé’s Sovereign Magnificent. Told through the eyes of the eponymous character, Souveraine Magnifique, an orphan from the Longs’ ethnic group, she recounts the alarming circumstances of an atrocious war that sprang up between brothers of the same blood in the heart of a Rwanda ravaged by jealousy and unjustified hatred. How does fictional literature script this genocidal war by emphasizing the representation of an ethical value system in order to postulate an ethical worldview? Edmond Cros’s sociocriticism, through its two axes, the phenotext and the genotext, serves as a reading frame of reference to answer this question. On this basis, we revisit, in three points, the meaning of the chronotope that takes the place of a war scene; then the stylistic manoeuvres that allow us to visualize the literarity of the novel and, finally, the significant indices that inscribe the novelist’s argument in a humanist worldview.

From Insolent Fratricide to Outrageous Genocide: Interethnic War and the Exorcisation of the Injustice of War in Eugène Ebodé& Souveraine Magnifique

The war between the Longs and the Shorts is the backdrop for Eugène Ebodé’s Sovereign Magnificent. Told through the eyes of the eponymous character, Souveraine Magnifique, an orphan from the Longs’ ethnic group, she recounts the alarming circumstances of an atrocious war that sprang up between brothers of the same blood in the heart of a Rwanda ravaged by jealousy and unjustified hatred. How does fictional literature script this genocidal war by emphasizing the representation of an ethical value system in order to postulate an ethical worldview? Edmond Cros’s sociocriticism, through its two axes, the phenotext and the genotext, serves as a reading frame of reference to answer this question. On this basis, we revisit, in three points, the meaning of the chronotope that takes the place of a war scene; then the stylistic manoeuvres that allow us to visualize the literarity of the novel and, finally, the significant indices that inscribe the novelist’s argument in a humanist worldview.

Pierre Eyenga
Pierre Eyenga

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Pierre Eyenga. 1970. “. Global Journal of Human-Social Science – G: Linguistics & Education GJHSS-G Volume 22 (GJHSS Volume 22 Issue G5): .

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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-G Classification: DDC Code: 959.604 LCC Code: DS554.8
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From Insolent Fratricide to Outrageous Genocide: Interethnic War and the Exorcisation of the Injustice of War in Eugène Ebodé& Souveraine Magnifique

Pierre Eyenga
Pierre Eyenga

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