Neural Networks and Rules-based Systems used to Find Rational and Scientific Correlations between being Here and Now with Afterlife Conditions
Neural Networks and Rules-based Systems used to Find Rational and
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The war between the Longs and the Shorts is the backdrop for Eugène Ebodé’s Sovereign Magnificent. Told through the eyes of the eponymous character, Souveraine Magnifique, an orphan from the Longs’ ethnic group, she recounts the alarming circumstances of an atrocious war that sprang up between brothers of the same blood in the heart of a Rwanda ravaged by jealousy and unjustified hatred. How does fictional literature script this genocidal war by emphasizing the representation of an ethical value system in order to postulate an ethical worldview? Edmond Cros’s sociocriticism, through its two axes, the phenotext and the genotext, serves as a reading frame of reference to answer this question. On this basis, we revisit, in three points, the meaning of the chronotope that takes the place of a war scene; then the stylistic manoeuvres that allow us to visualize the literarity of the novel and, finally, the significant indices that inscribe the novelist’s argument in a humanist worldview.
Pierre Eyenga. 1970. \u201cFrom Insolent Fratricide to Outrageous Genocide: Interethnic War and the Exorcisation of the Injustice of War in Eugène Ebodé& Souveraine Magnifique\u201d. Global Journal of Human-Social Science - G: Linguistics & Education GJHSS-G Volume 22 (GJHSS Volume 22 Issue G5): .
Crossref Journal DOI 10.17406/GJHSS
Print ISSN 0975-587X
e-ISSN 2249-460X
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Total Score: 130
Country: United States
Subject: Global Journal of Human-Social Science - G: Linguistics & Education
Authors: (PhD/Dr. count: 0)
View Count (all-time): 126
Total Views (Real + Logic): 20825
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Publish Date: 1970 01, Thu
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The war between the Longs and the Shorts is the backdrop for Eugène Ebodé’s Sovereign Magnificent. Told through the eyes of the eponymous character, Souveraine Magnifique, an orphan from the Longs’ ethnic group, she recounts the alarming circumstances of an atrocious war that sprang up between brothers of the same blood in the heart of a Rwanda ravaged by jealousy and unjustified hatred. How does fictional literature script this genocidal war by emphasizing the representation of an ethical value system in order to postulate an ethical worldview? Edmond Cros’s sociocriticism, through its two axes, the phenotext and the genotext, serves as a reading frame of reference to answer this question. On this basis, we revisit, in three points, the meaning of the chronotope that takes the place of a war scene; then the stylistic manoeuvres that allow us to visualize the literarity of the novel and, finally, the significant indices that inscribe the novelist’s argument in a humanist worldview.
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