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Literary Translation as Rewriting

§ Ambrose Alli University

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Literary Translation as Rewriting

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Abstract

Introduction-In the days of Shakespeare and the Elizabethans, even up to the time of Molière, a lot of works were produced, especially in the dramatic arts and poetry. In those periods, writing was generally done in ink with a pen or ordinary feather, in long rolls of well-kept manuscripts. Shakespeare wrote almost exclusively for England and the English audience, while Molière’s readers and audience were mainly in France, apart from a few outsiders who had acquired foreign languages. Towards the end of the last century, globalization has so expanded national literatures beyond national boundaries that it has become even difficult to identify some literary production with particular nations. Technology has made it possible to read other works on-line and on the internet. And with the development of expertise in translation, the Americans now read Jean-Paul Sartre, Albert Camus, etc, while the French can now appreciate George Orwell, Ernest Hemingway and other American writers by reading them in French. Literary translation therefore, in no small way, helps to nurture a type of crossbreed of cultures throughout the world by making the socio-cultural contents of literary works available to others in their own languages. But in order to do this successfully, the translator must, apart from decoding the language of the original work, make some extra effort to adapt

References

5 Cites in Article
  1. 1. Chinua Achebe (1958). Things Fall Apart. Things Fall Apart
  2. 2. Chinua Achebe (1972). Le monde s'effondre, Paris, Présence Africaine. Le monde s'effondre, Paris, Présence Africaine
  3. 3. E Arowolo (1982). Problems of Translation in African Writings. Présence Africaine, N° 123(3), 188-194.
  4. 4. George Mouin (1963). Les problèmes théoriques de la traduction. Les problèmes théoriques de la traduction
  5. 5. Simeon Osazuwa (1992). African Literature and the language dilemma. Humanitas, 3, 107-118.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

How to Cite This Article

Prof. Simeon E. Osazuwa. 2014. "Literary Translation as Rewriting". Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 14 (GJHSS Volume 14 Issue 2 (A1)).

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Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

Keywords
Classification
GJHSS-A Classification FOR Code: 420218
410199
Version of record
v1.2

Issue date
January 20, 2014

Language
English
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Literary Translation as Rewriting

Prof. Osazuwa
Prof. Osazuwa Ambrose Alli University
Simeon E. Osazuwa
Simeon E. Osazuwa