Neural Networks and Rules-based Systems used to Find Rational and Scientific Correlations between being Here and Now with Afterlife Conditions
Neural Networks and Rules-based Systems used to Find Rational and
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Since the twentieth century, Peking Opera, a comprehensive stage art form, has been awarded the title of “China’s national drama” and has become a well-known cultural symbol of China. Mei Lan-fang, a female impersonator, was reputed to be the most representative actor of Peking Opera. In the 1930s, Mei led a Peking Opera troupe and visited the United States. Mei’s U.S. tour was not merely a spectacle orchestrated exclusively for curious Americans but was just as much designed to show the national images of China. Based on the American response to Mei Lan-fang’s performance in the 1930s, this article attempts to examine what kinds of Chinese images are from the perspective of the American audiences, how they are constructed, and tries to find out the possible reasons.
Liu Na. 2026. \u201cMei Lan-fang’s American Tour and China’s Images in the U.S.\u201d. Unknown Journal GJHSS-C Volume 22 (GJHSS Volume 22 Issue C6): .
The methods for personal identification and authentication are no exception.
The methods for personal identification and authentication are no exception.
Total Score: 131
Country: China
Subject: Uncategorized
Authors: Liu Na (PhD/Dr. count: 0)
View Count (all-time): 152
Total Views (Real + Logic): 1440
Total Downloads (simulated): 24
Publish Date: 2026 01, Fri
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Neural Networks and Rules-based Systems used to Find Rational and
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Since the twentieth century, Peking Opera, a comprehensive stage art form, has been awarded the title of “China’s national drama” and has become a well-known cultural symbol of China. Mei Lan-fang, a female impersonator, was reputed to be the most representative actor of Peking Opera. In the 1930s, Mei led a Peking Opera troupe and visited the United States. Mei’s U.S. tour was not merely a spectacle orchestrated exclusively for curious Americans but was just as much designed to show the national images of China. Based on the American response to Mei Lan-fang’s performance in the 1930s, this article attempts to examine what kinds of Chinese images are from the perspective of the American audiences, how they are constructed, and tries to find out the possible reasons.
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