Mei Lan-fang’s American Tour and China’s Images in the U.S.

1
Liu Na
Liu Na

Send Message

To: Author

GJHSS Volume 22 Issue C6

Article Fingerprint

ReserarchID

AZ79Z

Mei Lan-fang’s American Tour and China’s Images in the U.S. Banner
  • English
  • Afrikaans
  • Albanian
  • Amharic
  • Arabic
  • Armenian
  • Azerbaijani
  • Basque
  • Belarusian
  • Bengali
  • Bosnian
  • Bulgarian
  • Catalan
  • Cebuano
  • Chichewa
  • Chinese (Simplified)
  • Chinese (Traditional)
  • Corsican
  • Croatian
  • Czech
  • Danish
  • Dutch
  • Esperanto
  • Estonian
  • Filipino
  • Finnish
  • French
  • Frisian
  • Galician
  • Georgian
  • German
  • Greek
  • Gujarati
  • Haitian Creole
  • Hausa
  • Hawaiian
  • Hebrew
  • Hindi
  • Hmong
  • Hungarian
  • Icelandic
  • Igbo
  • Indonesian
  • Irish
  • Italian
  • Japanese
  • Javanese
  • Kannada
  • Kazakh
  • Khmer
  • Korean
  • Kurdish (Kurmanji)
  • Kyrgyz
  • Lao
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgish
  • Macedonian
  • Malagasy
  • Malay
  • Malayalam
  • Maltese
  • Maori
  • Marathi
  • Mongolian
  • Myanmar (Burmese)
  • Nepali
  • Norwegian
  • Pashto
  • Persian
  • Polish
  • Portuguese
  • Punjabi
  • Romanian
  • Russian
  • Samoan
  • Scots Gaelic
  • Serbian
  • Sesotho
  • Shona
  • Sindhi
  • Sinhala
  • Slovak
  • Slovenian
  • Somali
  • Spanish
  • Sundanese
  • Swahili
  • Swedish
  • Tajik
  • Tamil
  • Telugu
  • Thai
  • Turkish
  • Ukrainian
  • Urdu
  • Uzbek
  • Vietnamese
  • Welsh
  • Xhosa
  • Yiddish
  • Yoruba
  • Zulu

Since the twentieth century, Peking Opera, a comprehensive stage art form, has been awarded the title of “China’s national drama” and has become a well-known cultural symbol of China. Mei Lan-fang, a female impersonator, was reputed to be the most representative actor of Peking Opera. In the 1930s, Mei led a Peking Opera troupe and visited the United States. Mei’s U.S. tour was not merely a spectacle orchestrated exclusively for curious Americans but was just as much designed to show the national images of China. Based on the American response to Mei Lan-fang’s performance in the 1930s, this article attempts to examine what kinds of Chinese images are from the perspective of the American audiences, how they are constructed, and tries to find out the possible reasons.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

Liu Na. 2026. \u201cMei Lan-fang’s American Tour and China’s Images in the U.S.\u201d. Unknown Journal GJHSS-C Volume 22 (GJHSS Volume 22 Issue C6): .

Download Citation

US-China photo tour during Mei Lan-fang's visit, highlighting cultural exchanges and political relations.
Issue Cover
GJHSS Volume 22 Issue C6
Pg. 23- 25
Journal Specifications
Keywords
Classification
GJHSS-C Classification: DDC Code: 792.0951156 LCC Code: PN2876.B37
Version of record

v1.2

Issue date

December 3, 2022

Language

English

Experiance in AR

The methods for personal identification and authentication are no exception.

Read in 3D

The methods for personal identification and authentication are no exception.

Article Matrices
Total Views: 1440
Total Downloads: 24
2026 Trends
Research Identity (RIN)
Related Research

Published Article

Since the twentieth century, Peking Opera, a comprehensive stage art form, has been awarded the title of “China’s national drama” and has become a well-known cultural symbol of China. Mei Lan-fang, a female impersonator, was reputed to be the most representative actor of Peking Opera. In the 1930s, Mei led a Peking Opera troupe and visited the United States. Mei’s U.S. tour was not merely a spectacle orchestrated exclusively for curious Americans but was just as much designed to show the national images of China. Based on the American response to Mei Lan-fang’s performance in the 1930s, this article attempts to examine what kinds of Chinese images are from the perspective of the American audiences, how they are constructed, and tries to find out the possible reasons.

Our website is actively being updated, and changes may occur frequently. Please clear your browser cache if needed. For feedback or error reporting, please email [email protected]
×

This Page is Under Development

We are currently updating this article page for a better experience.

Request Access

Please fill out the form below to request access to this research paper. Your request will be reviewed by the editorial or author team.
X

Quote and Order Details

Contact Person

Invoice Address

Notes or Comments

This is the heading

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

High-quality academic research articles on global topics and journals.

Mei Lan-fang’s American Tour and China’s Images in the U.S.

Liu Na
Liu Na

Research Journals