Morocco in Other Words

1
Mohamed Belamghari
Mohamed Belamghari
1 Mohamed I, Oujda/Morocco

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GJHSS Volume 15 Issue A4

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For many years now, questions of culture, race, sex and identity, among many others, have been coped with at length in Moroccan literary writings in different languages and for different purposes. These purposes, in fact, have been articulated in a variety of literary outlets with the aim of correcting cultural stereotypes, bridging cultural gaps to avoid cultural shocks or enlarging the extremes of intercultural dialogues among nations of the world. However, one such thorny question ought to be raised in this context is the extent to which any foreign language can be a resort to any Moroccan, in particular, and African writer, in general, to express the repressed cultural forms within their cultures. In this account, my contribution places under scrutiny the Moroccan text written in foreign languages, especially in English, as having the ability to translate the miscellaneous forms of the Moroccan cultural diversity to the outside world; a possibility which is now at hands more than ever before. To help capture this phenomenon in its contemporaneity, a combination of both Mikhail Bakhtin and Chantal Mouffe’s philosophies is undertaken with the aim of laying bare the manifestation of a textual enterprise authored or co-authored by different voices in an in-between dialogical as well as virtual space.

10 Cites in Articles

References

  1. Chinua Achebe (1975). The role of the writer: Chinua Achebe, ‘The Novelist as Teacher’, in Chinua Achebe, Morning Yet On Creation Day: Essays (New York: Anchor Press/Doubleday, 1975), pp. 67–73..
  2. Abdellatif Akbib (2001). Le Reveil du Maroc (Tangier).
  3. Mikhail Bakhtin (1982). The Dialogic Imagination: Four Essays.
  4. Michel Certeau,Michel,Certeau De (1984). The Practice of Everyday Life.
  5. Katerina Clark,Michael Holquist,Bakhtin (1984). Unknown Title.
  6. Kate Eichhorn (2001). Sites unseen: ethnographic research in a textual community.
  7. ธนเชษฐ วิสัยจร (1998). การแปลศัพท์วิชาการในบทคัดสรรจากหนังสือเรื่อง The Clash of Civilizations and the Remaking of the World Order ของ Samuel Huntington.
  8. Chantal Mouffe (2000). Deliberative Democracy or Agonistic Pluralism?.
  9. Robert Phillipson (1993). Linguistic Imperialism.
  10. Dennis Walder (1998). Post-colonial Literatures in English.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

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Not applicable for this article.

Mohamed Belamghari. 2015. \u201cMorocco in Other Words\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 15 (GJHSS Volume 15 Issue A4): .

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Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-A Classification: FOR Code: 130205p
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v1.2

Issue date

May 6, 2015

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English

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For many years now, questions of culture, race, sex and identity, among many others, have been coped with at length in Moroccan literary writings in different languages and for different purposes. These purposes, in fact, have been articulated in a variety of literary outlets with the aim of correcting cultural stereotypes, bridging cultural gaps to avoid cultural shocks or enlarging the extremes of intercultural dialogues among nations of the world. However, one such thorny question ought to be raised in this context is the extent to which any foreign language can be a resort to any Moroccan, in particular, and African writer, in general, to express the repressed cultural forms within their cultures. In this account, my contribution places under scrutiny the Moroccan text written in foreign languages, especially in English, as having the ability to translate the miscellaneous forms of the Moroccan cultural diversity to the outside world; a possibility which is now at hands more than ever before. To help capture this phenomenon in its contemporaneity, a combination of both Mikhail Bakhtin and Chantal Mouffe’s philosophies is undertaken with the aim of laying bare the manifestation of a textual enterprise authored or co-authored by different voices in an in-between dialogical as well as virtual space.

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Morocco in Other Words

Mohamed Belamghari
Mohamed Belamghari Mohamed I, Oujda/Morocco

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