Neural Networks and Rules-based Systems used to Find Rational and Scientific Correlations between being Here and Now with Afterlife Conditions
Neural Networks and Rules-based Systems used to Find Rational and
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Ulysses’ cunning consists in erasing his own name to become another. The pretender Nobody, a miniature prototype of mimesis, makes Odyssey the paradigm of every literary journey. Ulysses is the secret model behind recurring themes in Augusto de Campos’ poetry. The shadow that permeates the Mallarmean motifs of the shipwreck and the elocutory disappearance of the subject singularizes the poetics of the ovonovelo author. Oútis is the mask that the concrete poet chooses as a paradigm of the linguaviagem to which he has been launching himself for seven decades, in search of opening pores in the aporia of poetry. That is why the Odyssey never ends. Each reader gives a new face to the faceless mask. That is why it has always been the book that Nobody reads, again.
Thiago Castañon. 2021. \u201cNobody Reads You – Once Again: Signature, Erasure, Poeture\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 21 (GJHSS Volume 21 Issue A6): .
Crossref Journal DOI 10.17406/GJHSS
Print ISSN 0975-587X
e-ISSN 2249-460X
The methods for personal identification and authentication are no exception.
Total Score: 101
Country: Brazil
Subject: Global Journal of Human-Social Science - A: Arts & Humanities
Authors: Thiago Castañon (PhD/Dr. count: 0)
View Count (all-time): 115
Total Views (Real + Logic): 2183
Total Downloads (simulated): 960
Publish Date: 2021 05, Sun
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Neural Networks and Rules-based Systems used to Find Rational and
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Ulysses’ cunning consists in erasing his own name to become another. The pretender Nobody, a miniature prototype of mimesis, makes Odyssey the paradigm of every literary journey. Ulysses is the secret model behind recurring themes in Augusto de Campos’ poetry. The shadow that permeates the Mallarmean motifs of the shipwreck and the elocutory disappearance of the subject singularizes the poetics of the ovonovelo author. Oútis is the mask that the concrete poet chooses as a paradigm of the linguaviagem to which he has been launching himself for seven decades, in search of opening pores in the aporia of poetry. That is why the Odyssey never ends. Each reader gives a new face to the faceless mask. That is why it has always been the book that Nobody reads, again.
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