Scorsese, pop art, and hyperrealism

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Marcos Gabriel Faria Carrera
Marcos Gabriel Faria Carrera
1 Universidade Federal Fluminense

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GJHSS Volume 25 Issue A7

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We propose an investigation of celebrated filmmaker Martin Scorsese’s oeuvre through the lens of painting and avant-garde. More specifically, we are interested in tracing connections between his work in the sixties and the Pop Art and Hyperrealism (or Nouveau Realism) movements from the period. We intend to demonstrate how many of the criticisms directed towards the director have also been pointed at these artistic movements. Therefore, we aim to understand the reasons for such by summarizing a brief history of the close-up -or more precisely, a few of the theorizations written about the technique. Lastly, we try to clarify some confusion that erupts from the use of “hyperrealism” as a category from contemporary scholars.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

Marcos Gabriel Faria Carrera. 2026. \u201cScorsese, pop art, and hyperrealism\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 25 (GJHSS Volume 25 Issue A7): .

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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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v1.2

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January 5, 2026

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English

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We propose an investigation of celebrated filmmaker Martin Scorsese’s oeuvre through the lens of painting and avant-garde. More specifically, we are interested in tracing connections between his work in the sixties and the Pop Art and Hyperrealism (or Nouveau Realism) movements from the period. We intend to demonstrate how many of the criticisms directed towards the director have also been pointed at these artistic movements. Therefore, we aim to understand the reasons for such by summarizing a brief history of the close-up -or more precisely, a few of the theorizations written about the technique. Lastly, we try to clarify some confusion that erupts from the use of “hyperrealism” as a category from contemporary scholars.

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Scorsese, pop art, and hyperrealism

Marcos Gabriel Faria Carrera
Marcos Gabriel Faria Carrera Universidade Federal Fluminense

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