The Cosmogonic Proto-Bulgarian Model as a Basis of the Bulgarian Alphabets

Article ID

XEX7T

Cosmic Proto-Bulgarian model overview based on Bulgarian alphabet origins, enhancing understanding of ancient scripts and celestial connections.

The Cosmogonic Proto-Bulgarian Model as a Basis of the Bulgarian Alphabets

Dimitar Dobrevski
Dimitar Dobrevski National Academy of Arts
DOI

Abstract

It all started with a toy bird – a swallow (helidon) that the children in the villages around Asenovgrad town use to celebrate the coming spring and Baba Marta (Grandma March – a symbolic figure believed to mark the end of the winter. The popularity of the swallow toy rivals that of t he traditional martenitsa (red and white threads weaved in different shapes) in this region. At that time, my focus of interest as a lecturer in toy design was on the history of toys and games. The morphological analysis of the toy takes into consideration the profound symbolism and the allegorical nature of all the elements rooted in its formation. As if its structure, although not complicated at all, contains all the fundamental symbols: the rainbow-shaped element representing the sky and the celestial rainbow that sweeps over us like a magic semicircle bridge; the horizontal element, fundamental and supporting the whole construction, and ends as a handle, representing the earth as a symbol of stability; the vertical placed axis reminding us of the World Cosmic Tree (Axis mundi), representing the connection between the higher spiritual heaven realm and the lower earthly material substance.

The Cosmogonic Proto-Bulgarian Model as a Basis of the Bulgarian Alphabets

It all started with a toy bird – a swallow (helidon) that the children in the villages around Asenovgrad town use to celebrate the coming spring and Baba Marta (Grandma March – a symbolic figure believed to mark the end of the winter. The popularity of the swallow toy rivals that of t he traditional martenitsa (red and white threads weaved in different shapes) in this region. At that time, my focus of interest as a lecturer in toy design was on the history of toys and games. The morphological analysis of the toy takes into consideration the profound symbolism and the allegorical nature of all the elements rooted in its formation. As if its structure, although not complicated at all, contains all the fundamental symbols: the rainbow-shaped element representing the sky and the celestial rainbow that sweeps over us like a magic semicircle bridge; the horizontal element, fundamental and supporting the whole construction, and ends as a handle, representing the earth as a symbol of stability; the vertical placed axis reminding us of the World Cosmic Tree (Axis mundi), representing the connection between the higher spiritual heaven realm and the lower earthly material substance.

Dimitar Dobrevski
Dimitar Dobrevski National Academy of Arts

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Dimitar Dobrevski. 2026. “. Global Journal of Human-Social Science – A: Arts & Humanities GJHSS-A Volume 23 (GJHSS Volume 23 Issue A2): .

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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS Volume 23 Issue A2
Pg. 35- 39
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GJHSS-A Classification: LCC Code: P237
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The Cosmogonic Proto-Bulgarian Model as a Basis of the Bulgarian Alphabets

Dimitar Dobrevski
Dimitar Dobrevski National Academy of Arts

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