The Metamorphosis of Home Concept in Capitalist Imperialism: A Critical Analysis of Death of Salesman by Arthur Miller

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The Metamorphosis of Home Concept in Capitalist Imperialism: A Critical Analysis of Death of Salesman by Arthur Miller

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Abstract

Death of Salesman by Arthur Miller delineates the imperialistic aggregation of money which leads to the tragic dénouement of a life. Money like imperialist controls everybody’s everything in this play. How much does anybody earn? -it is the main criteria of success in this play. This structure of society treats human being like a disposed of commodity, after using it is thrown out. Willy Loman, a man of sixty, becomes valueless in his company at this age, though it considers his worth in his youth. Materialistic sense devoid of humanitarian values entangles him tightly. He is always looking for a home with optimism which turns into pessimism with his tragic death for giving financial security for his family. His visionary ideas and all emotional needs by the blow of imperialistic tactics of money face treats continuously for money-making weapons. This paper aims at how his continuous looking for a home without true mental happiness with love and sympathy makes a metamorphosis of home built by the wall of money and turns into an ending of life-giving uncertainty of any security to his family.

References

9 Cites in Article
  1. M Aswathi (2013). Capitalistic Discourse and Individual: A Social Study of Arthur Miller's Death of Salesman.
  2. Steven Centola (1993). Death of a Salesman.
  3. Fuch Christan (2016). Critical Globalization Studies and the New Imperialism.
  4. Kaveh Emami,Khodambashi (2011). An Anti-social Socialist: A Critical Reading of Arthur Miller’s Death of a Salesman.
  5. Robert Frost (1993). The Road Not Taken and Other Poems.
  6. D Harvey (2013). A Brief History of Neoliberalism.
  7. Pamela Loos (2011). Best Intentions Far Awry: The Family Dynamic in Miller's All My Sons and Death of a Salesman.
  8. Jesse Mckinley (1999). New York Times New York State Poll, March 1999.
  9. Arthur Miller (1949). Death of a Salesman (1949).

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

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No ethics committee approval was required for this article type.

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How to Cite This Article

mahmoda_khaton_siddika. 2019. \u201cThe Metamorphosis of Home Concept in Capitalist Imperialism: A Critical Analysis of Death of Salesman by Arthur Miller\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 19 (GJHSS Volume 19 Issue A2): .

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Issue Cover
GJHSS Volume 19 Issue A2
Pg. 27- 31
Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-A Classification: FOR Code: 910202
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v1.2

Issue date

February 16, 2019

Language
en
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Death of Salesman by Arthur Miller delineates the imperialistic aggregation of money which leads to the tragic dénouement of a life. Money like imperialist controls everybody’s everything in this play. How much does anybody earn? -it is the main criteria of success in this play. This structure of society treats human being like a disposed of commodity, after using it is thrown out. Willy Loman, a man of sixty, becomes valueless in his company at this age, though it considers his worth in his youth. Materialistic sense devoid of humanitarian values entangles him tightly. He is always looking for a home with optimism which turns into pessimism with his tragic death for giving financial security for his family. His visionary ideas and all emotional needs by the blow of imperialistic tactics of money face treats continuously for money-making weapons. This paper aims at how his continuous looking for a home without true mental happiness with love and sympathy makes a metamorphosis of home built by the wall of money and turns into an ending of life-giving uncertainty of any security to his family.

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