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Previous studies conceive of La Plaza as a simple geographical space that organized crime groups dispute to obtain a monopoly on the market for illegal substances. This interpretation is reduced. It is necessary to conceive of La Plaza as a social actor who, from the implementation of the power, surveillance and punishment control devices (Foucault, 2003), determines the framework of social life, constructs subjectivity and modifies the behavior of actors that interact directly with it (ie, public security agents, rival groups, subjects that integrate it) and the general population. Faced with a state of absent welfare, which no longer creates certainty of incorporation and social mobility, coupled with the sumptuary consumption promoted by the cultural entertainment industry, La Plaza transcends its institutional capacity (Lewkowicz, 2006, Castoriadis, 2007), for a side offer sense of life, on the other by fear of being violated disrupts the biographical trajectories of the population in general.
Ismael Torres Maestro. 2019. \u201cThe Plaza: Organized Crime and Social Constructor Process\u201d. Global Journal of Human-Social Science - C: Sociology & Culture GJHSS-C Volume 19 (GJHSS Volume 19 Issue C4): .
Crossref Journal DOI 10.17406/GJHSS
Print ISSN 0975-587X
e-ISSN 2249-460X
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Total Score: 101
Country: Mexico
Subject: Global Journal of Human-Social Science - C: Sociology & Culture
Authors: Ismael Torres Maestro (PhD/Dr. count: 0)
View Count (all-time): 165
Total Views (Real + Logic): 2859
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Publish Date: 2019 09, Tue
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Previous studies conceive of La Plaza as a simple geographical space that organized crime groups dispute to obtain a monopoly on the market for illegal substances. This interpretation is reduced. It is necessary to conceive of La Plaza as a social actor who, from the implementation of the power, surveillance and punishment control devices (Foucault, 2003), determines the framework of social life, constructs subjectivity and modifies the behavior of actors that interact directly with it (ie, public security agents, rival groups, subjects that integrate it) and the general population. Faced with a state of absent welfare, which no longer creates certainty of incorporation and social mobility, coupled with the sumptuary consumption promoted by the cultural entertainment industry, La Plaza transcends its institutional capacity (Lewkowicz, 2006, Castoriadis, 2007), for a side offer sense of life, on the other by fear of being violated disrupts the biographical trajectories of the population in general.
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