The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory

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Omid Ghahreman
Omid Ghahreman
1 Khayam Institute of Higher Education

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This article assesses Paul Cézanne’s modern style and technique in his The Large Bathers, but in light of James Joyce’s aesthetic theory that was his early pronouncements on beauty, goodness and truth, influenced by the writings of St. Thomas Aquinas. Cézanne’s impressionistic art, together with his progressive style and method are all crystallized in the Large Bathers, making it too controversial a painting to analyze. Significantly, Joyce and Cézanne’s works demonstrate a mastery of design, color, composition and draftsmanship, and that has made them both to be considered as forerunners of modern art and literature.

8 Cites in Articles

References

  1. David Bomford (1990). Art in Making: Impressionism.
  2. Joyce Brodsky (1981). A Paradigm Case for Merleau-Ponty: The Ambiguity of Perception and the Paintings of Paul Cezanne.
  3. Joyce Brodsky (1986). Delacroix's "Le Lever," Cezanne's "Interior with Nude," Picasso's "Les Demoiselles d'Avignon," and the Genre of the Erotic Nude.
  4. Richard Ellmann,Joyce (1959). Unknown Title.
  5. John Gilmour (2000). Improvisation in Cezanne's Late Landscapes.
  6. James Joyce (1967). A Portrait of the Artist as a Young Man.
  7. John Kear (2006). Frenhofer, c'est moi': Cézanne's Nudes and Balzac's Le Chef-d'aeuvre inconnu.
  8. Robert Ryf (1966). A New Approach to Joyce.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

Omid Ghahreman. 2014. \u201cThe Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 13 (GJHSS Volume 13 Issue A8): .

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GJHSS Volume 13 Issue A8
Pg. 15- 20
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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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February 24, 2014

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English

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This article assesses Paul Cézanne’s modern style and technique in his The Large Bathers, but in light of James Joyce’s aesthetic theory that was his early pronouncements on beauty, goodness and truth, influenced by the writings of St. Thomas Aquinas. Cézanne’s impressionistic art, together with his progressive style and method are all crystallized in the Large Bathers, making it too controversial a painting to analyze. Significantly, Joyce and Cézanne’s works demonstrate a mastery of design, color, composition and draftsmanship, and that has made them both to be considered as forerunners of modern art and literature.

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The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory

Omid Ghahreman
Omid Ghahreman Khayam Institute of Higher Education

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