The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory

Omid Ghahreman

The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory

Omid Ghahreman * §

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alighahreman §

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§ Khayam Institute of Higher Education

The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory

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Abstract

This article assesses Paul Cézanne’s modern style and technique in his The Large Bathers, but in light of James Joyce’s aesthetic theory that was his early pronouncements on beauty, goodness and truth, influenced by the writings of St. Thomas Aquinas. Cézanne’s impressionistic art, together with his progressive style and method are all crystallized in the Large Bathers, making it too controversial a painting to analyze. Significantly, Joyce and Cézanne’s works demonstrate a mastery of design, color, composition and draftsmanship, and that has made them both to be considered as forerunners of modern art and literature. Therefore, studying Cézanne’s thick layers of paint and undefined forms through the aesthetic theory of the controversial Irish writer leads us to a significant sense of “aesthetic arrest” which both artists attempted to follow and epiphanize in their works.

References

8 Cites in Article

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1. David Bomford (1990). Art in Making: Impressionism. Art in Making: Impressionism
2. Joyce Brodsky (1981). A Paradigm Case for Merleau-Ponty: The Ambiguity of Perception and the Paintings of Paul Cezanne. Artibus et Historiae, 2(4), 125.
3. Joyce Brodsky (1986). Delacroix's "Le Lever," Cezanne's "Interior with Nude," Picasso's "Les Demoiselles d'Avignon," and the Genre of the Erotic Nude. Artibus et Historiae, 7(13), 127.
4. Richard Ellmann,Joyce (1959). Unknown Title.
5. John Gilmour (2000). Improvisation in Cezanne's Late Landscapes. The Journal of Aesthetics and Art Criticism, 58(2), 191-204.
6. James Joyce (1967). A Portrait of the Artist as a Young Man. A Portrait of the Artist as a Young Man
7. John Kear (2006). Frenhofer, c'est moi': Cézanne's Nudes and Balzac's Le Chef-d'aeuvre inconnu. Cambridge Quarterly, 345-360.
8. Robert Ryf (1966). A New Approach to Joyce. A New Approach to Joyce: The Portrait of the Artist as a Guidebook

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Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

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Not applicable for this article.

How to Cite This Article

Omid Ghahreman, alighahreman. 2014. "The Reinterpretation of Czannes the Large Bathers through James Joyces Aesthetic Theory". Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 13 (GJHSS Volume 13 Issue 45 (A8)).

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GJHSS Volume 13 Issue 45 (A8)

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Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

Keywords

aesthetics cézanne impressionism james joyce modernism

Classification

GJHSS-A Classification FOR Code: 440101

Submission ReceivedDecember 8, 2012
Peer Review Double Blind
Handling Editor
Accepted January 2, 2013
Published January 15, 2013

Version of record

v1.2

Issue date

October 14, 2013

Language

English

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Article Matrices

Total Score: 81

Country: Iran

Subject: Global Journal of Human-Social Science - A: Arts & Humanities

Authors: Omid Ghahreman (PhD/Dr. count: 0)

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Publish Date: 2013 10, Wed

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