The Topology And Mythology Of The Self: Playing The Role Of Oneself Or The Drama Of The Self

§ Universidad de los Andes Universidad de los Andes

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The Topology And Mythology Of The Self: Playing The Role Of Oneself Or The Drama Of The Self

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Abstract

An actor must work all his life, cultivate his mind, train his talents systematically,develop his character; he may never despair and never relinquish this main purpose -to love his art with all his strength and love it unselfishly.”Constantin Stanislavski “You follow the same law of improvisation, which is that you do whatever your impulse -as the character-tells you to do, but in this case you’re the character, so you have no imaginary situation to hide behind, and you have no other person to hide behind. What you’re doing, in fact, is asking those questions Stanislavski said that the actor should constantly ask himself as a character -Who am I? Why am I here? Where do I come from? -but instead of applying them to a role, you apply them to yourself” Excerpt from the Script’ My Dinner with André’ (Wallace Shawn and André Gregory)

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

How to Cite This Article

Dr. NicolAs Parra. 2012. "The Topology And Mythology Of The Self: Playing The Role Of Oneself Or The Drama Of The Self". Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 12 (GJHSS Volume 12 Issue A10).

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Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

Keywords
Classification
GJHSS-A Classification FOR Code: 010112
230112
220207
2002JEL Code Z11
Version of record

v1.2

Issue date
July 17, 2012

Language
English
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The Topology And Mythology Of The Self: Playing The Role Of Oneself Or The Drama Of The Self

Dr. Parra
Dr. Parra Universidad de los Andes