The Verbivocovisual Architecture of the Stage La Conversione Di Un Cavallo

1
Luciane de Paula
Luciane de Paula PhD Professor
2
José Antonio Rodrigues Luciano
José Antonio Rodrigues Luciano
1 Universidade Estadual Paulista (UNESP)

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GJHSS Volume 21 Issue A13

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This article reflects on the verbivocovisual architectural construction of the staging of Caravaggio’s works in Tableaux Vivants, carried out by Companhia Ludovica Rambelli Teatro. The video that makes up the corpus is the recording of the staging, composed of 13 paintings by the Baroque painter, revealed by the canonical technique of the theater that semiotizes, through actors-modelscharacters, the montage of scenes that transform into live painting. The objective is to analyze the syncretic process of aesthetic construction from the interrelationship between art and life, through the work with verbal-sound-visual languages, in evaluative potential, as a unit of enunciative meaning. The foundation of the study is anchored in the Bakhtinian philosophy’s conceptions of language, utterance and dialogue, as well as in the notion of verbivocovisuality, as understood by Paula & Luciano, based on the Circle’s studies. This research is relevant for dealing with the concepts of language, art, human and society.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

Luciane de Paula. 2021. \u201cThe Verbivocovisual Architecture of the Stage La Conversione Di Un Cavallo\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 21 (GJHSS Volume 21 Issue A13): .

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The verbivocovisual architecture study explores the integration of visual and auditory elements in stage design to enhance storytelling and audience engagement.
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GJHSS Volume 21 Issue A13
Pg. 1- 13
Journal Specifications

Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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GJHSS-A Classification: FOR Code: 200499
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v1.2

Issue date

December 14, 2021

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English

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This article reflects on the verbivocovisual architectural construction of the staging of Caravaggio’s works in Tableaux Vivants, carried out by Companhia Ludovica Rambelli Teatro. The video that makes up the corpus is the recording of the staging, composed of 13 paintings by the Baroque painter, revealed by the canonical technique of the theater that semiotizes, through actors-modelscharacters, the montage of scenes that transform into live painting. The objective is to analyze the syncretic process of aesthetic construction from the interrelationship between art and life, through the work with verbal-sound-visual languages, in evaluative potential, as a unit of enunciative meaning. The foundation of the study is anchored in the Bakhtinian philosophy’s conceptions of language, utterance and dialogue, as well as in the notion of verbivocovisuality, as understood by Paula & Luciano, based on the Circle’s studies. This research is relevant for dealing with the concepts of language, art, human and society.

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The Verbivocovisual Architecture of the Stage La Conversione Di Un Cavallo

Luciane de Paula
Luciane de Paula Universidade Estadual Paulista (UNESP)
José Antonio Rodrigues Luciano
José Antonio Rodrigues Luciano

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