Neural Networks and Rules-based Systems used to Find Rational and Scientific Correlations between being Here and Now with Afterlife Conditions
February 17, 2026
Neural Networks and Rules-based Systems used to Find Rational and
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This paper intends, by establishing connexion between the tragic form and the destiny of the African descendant in Brazil, to show that this is not the so-called country of racial democracy. For this, the relations between society and the Brazilian theater will be observed, presenting aspects of the foundation and the importance of the genre. The discussion will be illustrated with the capital speech of the central character of Antonio Callado's play A Revolta da Cachaça (1982). He is Ambrósio, black actor to whom they only support supporting roles. Ill, he goes to meet Vito, friend and playwright, to seek the play promised for years and which would be the protagonist. The play is still unfinished and Ambrósio decides that he will not leave until the work is completed. With the negative of Vito, the confrontation is established.
Regina Claudia Garcia Oliveira de Sousa. 2019. \u201cTheatrical Confrontation: Social Confrontation\u201d. Global Journal of Human-Social Science - C: Sociology & Culture GJHSS-C Volume 19 (GJHSS Volume 19 Issue C7): .
Crossref Journal DOI 10.17406/GJHSS
Print ISSN 0975-587X
e-ISSN 2249-460X
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This paper intends, by establishing connexion between the tragic form and the destiny of the African descendant in Brazil, to show that this is not the so-called country of racial democracy. For this, the relations between society and the Brazilian theater will be observed, presenting aspects of the foundation and the importance of the genre. The discussion will be illustrated with the capital speech of the central character of Antonio Callado's play A Revolta da Cachaça (1982). He is Ambrósio, black actor to whom they only support supporting roles. Ill, he goes to meet Vito, friend and playwright, to seek the play promised for years and which would be the protagonist. The play is still unfinished and Ambrósio decides that he will not leave until the work is completed. With the negative of Vito, the confrontation is established.
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