When a Woman is Nude : A Critical Visual Analysis of Harlem Photograph

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Wincharles Coker
Wincharles Coker
1 Michigan Technological University

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This paper offers an alternative oppositional reading against the obvious, dominant taken-for-granted codes of scopophilia by which Aaron Siskind’s “Harlem” photograph is interpreted. The paper draws primarily on the works of French thinkers Roland Barthes and Jean Baudrillard to make the case that the nudity of the Black woman evokes a false sexual pathos and heigthens the fetishization of her body.

Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

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Not applicable for this article.

Wincharles Coker. 2014. \u201cWhen a Woman is Nude : A Critical Visual Analysis of Harlem Photograph\u201d. Global Journal of Human-Social Science - A: Arts & Humanities GJHSS-A Volume 14 (GJHSS Volume 14 Issue A1): .

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Issue Cover
GJHSS Volume 14 Issue A1
Pg. 19- 22
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Crossref Journal DOI 10.17406/GJHSS

Print ISSN 0975-587X

e-ISSN 2249-460X

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v1.2

Issue date

April 17, 2014

Language

English

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This paper offers an alternative oppositional reading against the obvious, dominant taken-for-granted codes of scopophilia by which Aaron Siskind’s “Harlem” photograph is interpreted. The paper draws primarily on the works of French thinkers Roland Barthes and Jean Baudrillard to make the case that the nudity of the Black woman evokes a false sexual pathos and heigthens the fetishization of her body.

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When a Woman is Nude : A Critical Visual Analysis of Harlem Photograph

Wincharles Coker
Wincharles Coker Michigan Technological University

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