Educational Journey
Universidade Federal de Mato Grosso do Sul
Mestre in PPGEnf/INISA - Programa de PΓ³s-GraduaΓ§Γ£o em Enfermagem β’ PPGEnf/INISA - Programa de PΓ³s-GraduaΓ§Γ£o em Enfermagem
2025Universidade Federal de Mato Grosso do Sul - CPCX
GraduaΓ§Γ£o Bacharel em Enfermagem in Departamento de Enfermagem β’ Departamento de Enfermagem
2022UNAES/Anhanguera
Bacharel em AdministracΜ§Γ£o in Departamento de AdministraΓ§Γ£o β’ Departamento de AdministracΜ§Γ£o
2013Experience
Professor
0 - PresentGrants and Awards
Fellow
Research
Football in the Chronicles of Doctor Moacyr Scliar
This text aims to demonstrate how social relationships and human behaviors are brought up by the doctor and writer Moacyr Scliar in his texts about football. Among the various textual genres produced by the author, chronicles stand out, short narratives with everyday themes in which humor, reflection and irony underlie. The main objective of this text is to identify how the author uses football in association with human behaviors and considerations about health.
The Image of the Teacher in the Chronicles of the Book The Everyday Imaginary
This article aims to show the image of the teacher in the chronicles of Moacyr Scliar's O imaginΓΒ‘rio cotidiano, relating the way the teacher is seen in the author's texts when he relates fiction to reality.
Racism in the Chronicles of Doctor Moacyr Scliar
The attention in this article falls on an expressive niche of Moacyr ScliarΓ’β¬β’s literature Γ’β¬β the chronicles. Expanding the proposal that the writer made use of his experiences to compose his works, it is highlighted that the media, and among them cinema, are the target of the writerΓ’β¬β’s attention, they appear as a theme in his chronicles and appear in them as an intertext and intermidiatic reference. It is identified that his performance as a chronicler is marked by the logic of the press, with publications in newspapers and books. After mapping the phases attributed to his literature, there is a thematic association between medicine and cinema in his chronicles, in which cinema and film works appear as a compositional resource, as a motive or setting, to exemplify complex issues or to illustrate reflections in a concrete way about racism.
