A Critical Analysis of the Use of Magic Realism in Indian Culture in Post-Colonial Literature Context

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Chitra Rathore
Chitra Rathore

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A Critical Analysis of the Use of Magic Realism in Indian Culture in Post-Colonial Literature Context

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Abstract

The term “Magic Realism” originates from the German “Magischer Realismus,” coined by Franz Roh in 1925 to describe the semi-surrealistic work of a group of German painters in the 1920s. Although it was briefly used to describe a short-lived Italian literary movement in the 1920s called “Stracitta,” it wasn’t widely associated with literature until the late 1940s. The concept gained prominence in literary circles during the Latin-American novel boom of the late 1950s and 1960s. Over time, it has come to describe fictional prose that blends realistic and fantastical elements, featuring realistic details mixed with dream-like sequences, sudden chronological changes, and complex plots. Magic realists often incorporate fairy tales and myths into their works.

8 Cites in Articles

References

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Funding

No external funding was declared for this work.

Conflict of Interest

The authors declare no conflict of interest.

Ethical Approval

No ethics committee approval was required for this article type.

Data Availability

Not applicable for this article.

How to Cite This Article

Chitra Rathore. 2026. \u201cA Critical Analysis of the Use of Magic Realism in Indian Culture in Post-Colonial Literature Context\u201d. Global Journal of Computer Science and Technology - G: Interdisciplinary GJCST-G Volume 24 (GJCST Volume 24 Issue G2): .

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A journal exploring magic realism’s role in Indian post-colonial literature and cultural identity.
Issue Cover
GJCST Volume 24 Issue G2
Pg. 25- 28
Journal Specifications

Crossref Journal DOI 10.17406/gjcst

Print ISSN 0975-4350

e-ISSN 0975-4172

Version of record

v1.2

Issue date

September 12, 2024

Language

English

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The term “Magic Realism” originates from the German “Magischer Realismus,” coined by Franz Roh in 1925 to describe the semi-surrealistic work of a group of German painters in the 1920s. Although it was briefly used to describe a short-lived Italian literary movement in the 1920s called “Stracitta,” it wasn’t widely associated with literature until the late 1940s. The concept gained prominence in literary circles during the Latin-American novel boom of the late 1950s and 1960s. Over time, it has come to describe fictional prose that blends realistic and fantastical elements, featuring realistic details mixed with dream-like sequences, sudden chronological changes, and complex plots. Magic realists often incorporate fairy tales and myths into their works.

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A Critical Analysis of the Use of Magic Realism in Indian Culture in Post-Colonial Literature Context

Chitra Rathore
Chitra Rathore

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